We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

MMXXI // Vol. I

by The Burden and the Blessing

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $4.99 USD

     

1.
and now to load the metal dose into a chamber, cold it slides easier than one had hoped making the choice with ease heating up steel to send it off so to the end unfolds the sound for most is deafening brings comfort as well the sand descends from heights to below all time shall end, for all loading the metal dose into a chamber, cold sliding easier than one hoped making choice with ease heat up steel to send the end unfolds unfolds unfolds unfolds exhale of this last breath black veil of death thunder rolls flies drawn this blunder on shall greet no dawn no new dawn feeding the worms exhale last breath blackish veil of death the thunder rolls and the flies are drawn this blunder on and on and on last dawn this body now returns returning to the earth this must be the dust the vessel crushed now it sinks below rot away definition lost with each of these days rot away definition lost with each day and you pray you pray some things shall last others will become ash not built to last can’t sustain the crush that crash now only in the past flesh to forest now only in the past flesh to forest now grow now thrive
2.
war war join us now the weight and the burden on your shoulders bring us to war bring us to war to war if not fought for we shall lose more it’s all for the taking it’s yours on to war tusk tears the enemy trample the rest toss aside the foes as if you were possessed careful to not lose more it’s all for the taking it’s yours on to war and then there was capture captured by trickery forced into slavery kept in captivity summoning bravery the tides the tides they turn change has come all undone forever the change has come all undone forever forever the tides they turn the tides how they turn
3.
sewing mouths shut the world-killing act the root now cut worse than the bite of wolf’s wet snarl secrets at night bound up tight no more sharp words hidden in smiles the sweet with songbird the tides the tides the tides the tides they turn change has come oh change has come all undone forever the tides they turn the tides how they turn you brought us to war and it was the last you brought us to war your flag on our mast you died in this war you died in this war you died in this war so now we fast the tides the tides the tides the tides
4.
Thrall 11:49
this shapeless mass of collected ash this wasted time all of it mine this crime reveled was once concealed concealed concealed black cloud rains down arrow after arrow, come down it’s hard to count as the pressure mounts infinite strikes barbs in my flesh vultures, all of you circling, you drool you drool vultures, all of you circle circle circle you drool drool to this attack i’m powerless weakened and devoured by demons as a shapeless black cloud this crime reveled once concealed black cloud rains down arrow after arrow after arrow after arrow comes down on my crown it’s hard to count as the pressure mounts infinite strikes infinite strikes so many strikes barbs in my flesh and i’m put to the test attack i’m powerless to you weakened and devoured by demons they’re shapeless unseen unknown you are yet here you are without power to fight you off i’m gutted yet still alive none will pass over me “crimson to clover, over and over” over and over over
5.
Numb Slog 05:23
onward force the march throughout the days as hatred boils with our northwest a-blaze it blazes on trudge through smoke ashes of oak our patience is lost for what beauty: the cost beaty’s the cost blame shall fall on us all reckless youth the simple truth quiver is full for the bull one loan lad sourly sad tear at him tear him apart none shall weep not a drop from us tear at him tear him apart none shall weep trudge through smoke oh no pray this blaze burns him too sharpen knives to pierce this young hide fall on blades for guilt of shame spill the blood of our young paint that forest red throats choke on the smoke

about

All instrumentation, vocals, and audio sensations were performed and executed by Aaron D.C. Edge. This collection of tracks was also recorded and mixed with Aaron at the helm at Myelin Studio in Portland, Oregon.

Mastered by Aaron Edge/LNDR.

Cover painting by Michael Pankow.

© & Ⓟ 2021 Your Throws Shall Return



—————————————————————

credits

released January 26, 2021

An interview with painter Michael Pankow:

Aaron of TBATB: Why did you agree to donate your paintings to "The Burden and the Blessing" project, without knowing what they will be used for?

Michael: Curiosity mostly, just knowing your diversity in your vast amount of projects. It truly means a lot that you thought of me for your project and for that I'm very grateful. I've probably given away more pieces than I've sold and that's just how I am. I just want to have a small legacy for people to remember me by. I love to share my works as I like others to see what makes me "me".

Aaron: What does the project name mean to you (knowing that you have yet to hear any of the music)?

Michael: The "Burden and Blessing" is the strange times we are living in. Covid is indeed the Burden. It's constantly changing how we live our lives. Normalcy is still at a far reach. The blessing of this pandemic is we are shown who and what not to take for granted. Another blessing of a quarantine is artists and musicians are given even more time in which to be creative. 

Aaron: You have some health problems, would you mind sharing them with us today?

Michael: I was born with Marfan Syndrome, a connective tissue disorder.  It affects the heart, eyes, blood vessels and skeleton. I have been affected by all of these with the heart and spine being the most severe. I was a near death survivor of a traumatic brain injury when in college. 5 years ago, I sustained a stroke or neurological attack that has left me with bilateral Trigeminal Neuralgia. My hardest to date. Some doctors say I had a stroke and others say Multiple Sclerosis is possible. Undiagnosed, as of now. I really don't care anymore. I just want to take care of my symptoms and keep on keeping on! I want to paint! Play guitar and bass! Creativity drives me!

Aaron: Do you find it comforting to be creative or is it more of a discipline?

Michael: It is both. I started painting again after a long absence right after my neurological incident. Painting became comforting as a means of pain management. It is a great distraction from my chronic pain. In doing so it became both a joyful and frustrating discipline. I am my own worst critic at times. What we practice grows stronger.

Aaron: Please list three favorite artists, three favorite musicians/bands, and why/how the six move you?

Robert Motherwell
I love the openness in his work, his broad brushstrokes and shapes and how his works are minimalistic. I checked out a book of his works at the public library so many times I lost count.

Clyfford Still
I love the starkness of his colors, how his works have movement and again I'm drawn to his minimalism. A professor once said my early abstracts reminded him of Clyfford Still. I had no idea who he was so off to the library to check him out. 

Mark Rothko
I was drawn to his "Color Field" paintings for what I see as a dreamlike moodiness. Yet again the minimalism attracts me to his pieces. Minimalism is something I've always been trying reach in my work.

Pink Floyd, King Crimson, Meshuggah, Isis, Neurosis, Deftones
They are great examples of progressive rock/Metal to me anyway. Listen to any early album from these bands and then listen to any later album. You hear that? That's called progression. It's what I hope any artist or musician is going for. I'm often known as a Pink Floyd but or Metalhead but truth is I've open ears. Classic Rock, blues, jazz, classical and Metal is how I roll. Eclectic? Yes but I wouldn't have my music any other way. Pick 3? Impossible!

Aaron: How has Covid released inner demons via your creative process?

Michael: My creative process has always been a great coping mechanism. Always a good thing to have as depression and anxiety often go hand in hand with chronic illnesses. In December of '19 I was at an extreme low point in regards to my mental health and was a danger to myself. I sought help but professional help wasn't available until March of last year. My behavioral health journey began right as Covid hit. From then it was intensive outpatient therapy until October. I was encouraged by all of my therapists to use my painting to release the darkness from within to get it out and confront it. Also I was told my creativity would be a great distraction from my physical pain but I knew that already. 2020 with Covid will go down as a tumultuous year. Yet one positive is the Intensive outpatient program for behavioral health. They saved my life.

Aaron: What is your artistic background, schooling-wise?

Michael: I studied art at Clarke College in Dubuque, Iowa. I wanted to be a graphic designer but sometime in my second year I realized I didn't really have the discipline and or talent needed for graphic design. My professor even said "You spend too much time on 3rd floor” (the painting studio). Instead of dropping out of school, I just focused on studio arts with painting, drawing, printmaking and photography. I received a BFA in the studio arts with a minor in art history and an independent study of photography. 

license

all rights reserved

tags

about

The Burden and the Blessing Portland, Oregon

Heavy solo material via producer, engineer, and multi-instrumentalist Aaron D.C. Edge
• • •
(of The Lumbar Endeavor, Process Black, Bible Black Tyrant, Akit Evlleh, Ramprasad)

contact / help

Contact The Burden and the Blessing

Streaming and
Download help

Report this album or account

If you like The Burden and the Blessing, you may also like: